Australian Soprano Joanna Cole has performed regularly Nationally and Internationally and has earned a reputation for her technique, musicality and the power, sweetness and clarity of her voice. Joanna also brings to her performances a finely honed sense of dramatic skills and is in much demand for Opera, Recitals and Oratorio. Her operatic performances include: For Opera Australia: Violetta in Verdi’s La Traviata, Concert to celebrate the 50th Anniversary of the Marriage Joan Sutherland and Richard Bonynge, Countess in Marriage of Figaro, Gilda in Rigoletto, Title role in Lucia Di Lammermoor, Sophie in Der Rosenkavalier, Leila in Pearl Fishers, Micaela in Carmen, Morgana in Alcina, Iris in Semele, Barbarina in Le Nozze di Figaro, Italian Soprano in Capriccio, Strawberry Seller and French Girl in Death in Venice, Katchen in Werther, Helena in the Ascension of Robert Flau and in 2002 she received great acclaim for her creation and portrayal of the title role Lindy in the world premiere performances of the opera based on the story of Lindy Chamberlain and the disappearance of Azaria, which led to her nomination for a 2003 Helpmann Award. Melbourne City Opera: Adina in Donizetti´s L’elisir d’amore. Melbourne Opera: Pamina in Mozart’s The Magic Flute, Donna Anna in Mozart´s Don Giovanni, Rosalinda in Strauss´ Die Fledermaus, Angelica in Suor Angelica. State Opera of South Australia: Gutrune in Wagner’s Gotterdammerung. Joanna will perform with Victorian Opera in Carmina Burana in 2009. Internationally she has performed: The Title role in Lucia di Lammermoor (Mexico September 2001). A Tour of Myanamar (Burma) and Thailand by invitation of the Australian Embassy (October 2001). Gilda in Rigoletto and Mimi in La Boheme (Canterbury Opera, Christchurch New Zealand). Irene in Rienzi (Chelsea Opera Group, London). Aminta in Il Re Pastore (Royal Gala Performance, London). Mimi in La Boheme (Spier Festival, Cape Province, South Africa). 70th Birthday Gala for Dame Joan Sutherland, (Australia House, London). Beethoven’s 9th Symphony (Nottingham, England), Faure’s Requiem, (Halle Orchestra, Manchester UK). The Messiah (Oxford UK, Sheldonian Theatre). Canteloube’s Songs of the Auvergne (Sydney & London with the Australian Ballet). The Creation (Guilford Philharmonic, UK). Mozart Programme Tour with The Australian Youth Orchestra (Queensland and New Zealand). Brahms Requiem and Four Last Songs by Strauss (Milton Keynes Choral UK). Elijah, (Singapore Symphony Orchestra). Concert Performances in Australia have included: Major Choral Works with: Sydney Philharmonic Choir - Mahler’s 8th Symphony, Faure Requiem, Poulenc Gloria, Tchaikovsky’s The Bells. Sydney Symphony Orchestra - Mozart Requiem. Queensland Symphony Orchestra - Mahler Symphony No. 4, Mozart’s Exultate Jubilate, Villa Lobos Bachiana Braesileira No.5, Carl Orff’s Carmina Burana, The World Premiere of Mary Margeaux’s Symphony of War and Peace. Tasmanian Symphony Orchestra - Mahler Symphony No. 4, Mozart’s Exultate Jubilate, Poulenc Gloria, Beehoven Ah! Perfido and Michaela in a Concert Performance of Bizet’s Carmen, Strauss Four Last Songs, Brahm’s Requiem. Western Australia Symphony Orchestra - Handel’s Messiah, Mahler’s Symphony No. 4, Canteloube’s Songs of the Auvergne, Mahler’s 8th Symphony, Ravel’s Scheherazade. Melbourne Symphony Orchestra - Handel’s Messiah, Canteloube’s Songs of the Auvergne, Ode on St. Cecilia’s Day, Mozart Requiem and Mahler’s 8th Symphony for the Federation Concert 2001. Adelaide Symphony Orchestra - Handel’s Messiah. Joanna is a graduate of the Queensland Conservatorium of Music and was a member of Opera Australia’s Esso Young Artist Development Program. She has been the recipient of many awards including the Remy Martin Opera Australia Award, Bull Fellowship, Marianne Mathy Australian Singing Competition, Joan Sutherland Society Scholarship, and was also granted a Churchill Fellowship for excellence in Bel Canto. Joanna is an Ambassador for Osteoporosis Australia. |

Australian Soprano Joanna Cole has performed regularly Nationally and Internationally and has earned a reputation for her technique, musicality and the power, sweetness and clarity of her voice. Joanna also brings to her performances a finely honed sense of dramatic skills and is in much demand for Opera, Recitals and Oratorio.